Flats. Adjust the "start fret" option to further highlight a finger pattern for playing the selected scale in a different position on the fretboard. This scale is also known as: The 7th mode of the G# Melodic Minor Scale. See diagrams at Standard Guitar. Root. Note that this line is just a descending Ab melodic minor scale, or G altered scale starting on Ab. Scale Advanced Options. b9b13 implies the fifth mode of the harmonic minor scale (aka mixolydian b9 b13). What makes this line work musically is that it finishes on G in the next bar. The Superlocrian Scale. So, whenever you see a dominant V7 chord to I written within a chord progression you can play an altered scale over the dominant chord. Here’s the Ab melodic minor scale in the 9th position: Since G altered is the same as Ab melodic minor I have listed the diatonic chords here below. A G♭ Altered scale consists of G♭, G, A, B♭, C, D and E notes. The Altered Dominant Scale. b13 usually implies the 5th mode of the melodic minor scale. Sharps. G Altered Scale. This first example shows how a descending altered scale can be used to outline a ii-V-I. b5, even though it is found in the altered scale, usually implies the whole tone scale. Scale - Altered 1,b2,b3,b4,b5,b6,b7 FULL-th pattern Root note - G Guitar Tuning: So, the theory for the altered scale is 1, b9, 3rd, #9, #11, b13, and b7. Understand the tritone substitution relationship to the altered scale. G is the fifth of C, a strong chord tone. Find guitar scales using graphic interface. JGuitar's scale calculator will draw scale diagrams showing the fretboard with notes in the selected scale highlighted. Altered Scale in All Keys The G altered scale is the same is an Abm melodic scale: If you play this scale in diatonic chords you’ll notice that it does not have a G7 as a diatonic chord on G, so we have to look a bit harder to find a G7 arpeggio at all, again something that is making it difficult for a lot of students. Jazz musicians love to play on dominant 7th chords. The altered scale features 3 of the 4 chord tones of a dominant 7th chord (1, 3, and b7) plus all the extensions of the chord altered. The Altered Scale – Bass Practice Diary – 16th April 2019. The Diminished-wholetone Scale. Raise the 11th of Db7 (Raise the F# to G so the scale does not contain the major seventh of G7) making the chord Db7#11 and you’ve got the exact same notes as the G altered scale. In C altered, we have an Ab (aka G#), which is also the b13, but chords marked with b13 do not imply the altered scale. Altered Scale in G is a minor scale with flat second, flat fourth and flat fifth intervals. 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